the brief wondrous life of oscar wao-junot diaz

“What he used to feel for those girls he’d never really known was nothing compared to the amor he was carrying in his heart for Ana. It had the density of a dwarf-motherfucking-star and at times he was a hundred percent sure it would drive him mad. The only thing that came close was how he felt about his books; only the combined love he had for everything he’d read and everything he hoped to write even came close.” (45)

“Figured it would be like always. A week of mooning and then back to the writing. The thing that carried him. But it wasn’t like always. I knew something was wrong when he stopped writing-Oscar never stopped writing-loved writing the way I loved cheating-just lay in bed an stared at the SDF-1. Ten days of him all fucked up, of him saying shit like, I dream about oblivion like other people dream of good sex, got me a little worried.” (186)

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One thought on “the brief wondrous life of oscar wao-junot diaz

  1. “In September he headed to Rutgers New Brunswick, his mother gave him a hundred dollars and his first kiss in five years, his tio a box of condoms: Use them all, he said, and then added: On girls. There was the initial euphoria of finding himself alone at college, free of everything, completely on his fucking own, and with it an optimism that here among these thousands of young people he would find someone like him. That, alas, didn’t happen. The white kids looked at his black skin and his afro and treated him with inhuman cheeriness. The kids of color, upon hearing him speak and seeing him move his body, shook their heads. You’re not Dominican. And he said, over and over again, But I am. Soy dominicano. Dominicano soy. After a spate of parties that led to nothing but being threatened by some drunk whiteboys, and dozens of classes where not a single girl looked at him, he felt the optimism wane, and before he even realized what had happened he had buried himself in what amounted to the college version of what he’d majored in all throughout high school: getting no ass. His happiest moments were genre moments, like when Akira was released (1988). Pretty sad.” (49-50)

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