“having more babies than lauryn, she started showing early”
“Like pregnancy, the adrenaline of love was and is a powerful antidote to depression.” (177)
“diamonds deserve diamonds but he convinced me that i was worth/less”
“I never believed that I had been properly thanked (real thanks would have meant a meaningful job), and I felt that I had been used by the Liberal Party machine. Here I was, fresh out of university. I was adversarial. I knew how to question and I demanded the right to ask what was going on. I had all these tools, and nowhere to use them.” (109-110)
i knew which lauryn i wanted to see and i didn’t see her.
but that’s ok, because i can always return to this video of her in japan in ’99 whenever i need to.
the truth is, i didn’t even know which lauryn i was looking for, and i couldn’t have known until i saw her on friday in her hunchback couture at massey hall. all i knew was that i was glad to be there with my girl gillian, whom i am glad captured some videos that i tried not to ruin with my weeping and/or jumping and/or gasping, i was excited to see the homie jordan (who got fine, by the by), and that the bluelight ambiance to the isley brothers (and perfect transition into that biggie track) was perfect.
’nuff respect to the opening artists, and to the ignoramus behind me-emmanuel jal looks nothing like latrell sprewell-but there’s something about having a limited capacity for new music when you’re dead tired-and how an oldie but goldie just gives you new life.
on a related note-no matter how many very loud very fast arrangements of classic songs happen-there’s nothing like jumping straight out of your chair (in a tutu) when the queen says, “it’s funny how money can change a situation”, and how long you can be wondering about “how many mics”….
in some ways, i am glad that it took 12 years for me to see this woman live. i feel like i got her at the height of whatever she’s doing now-youtube videos be damned, i got context. and i got my life.
vocally-she’s perfect. her voice just filled up all that space in that theatre that seems to have only recently become open to acts that are not pavarotti and the tragically hip. i got many a shiver, and felt nothing but shame for whomever was responsible for casting zoe saldana as nina simone in the biopic.
birds flying high……
i love that i believe that lauryn is feeling good. i love that although i didn’t get my favourite “ex-factor”, i did get two versions-original and updated. i love that the back vocalists and brass section were basically running clinics that i will be thinking for for at least the next three years. i love that despite the fact that she’s been put through the ringer, and that the patriarchy is real-i mean how much more room do we give male artists to evolve and be unapologetic about their style/sound/presentation? i’m sad at how quickly people have been to cast her out and call her crazy-especially when mental health issues are real.
i feel that pairing this concert with this book makes sense for all of the above reasons, and perhaps there is a link that can be made between maggie‘s feelings about being pregnant and the fact that miz hill is a mother six times over. shoutout to all the moms who make it possible for me to experience the joys of motherhood without being pregnant and all the mothers who share their artistic babies with me and inspire me to birth my own.
over breakfast at the ritz, i reminisced on the reasons that i missed this concert, but am so happy that i got to witness her making good on this promise:
many happy returns to the re/education of MLH.