parkdale-7

mad late, but here are the haikus from last week before today’s last workshop:

the theme was “autumn turning into winter in parkdale”:

it’s too hot inside
smells of man are very ripe
polyester-no.

dark days turn frosty
leaves are more wet than crunchy
ground down into slush

farmer’s market done
tacos are all year round, though
faces-stuffed and starved

this time, they’re all about nature (maybe the theme set us up for success)-and i know that rule now.

time flies when you’re having fun.

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parkdale, 6.

“sometimes, you have to kill your puppies”

sometimes, the advice that you get in writing workshop confirms everything that is happening in your life.

i have been feeling some rage lately-i just want people to be better, and know how to express their feelings without hiding behind grossly re-imagined texts and emails. i left work just early enough to slide into the abbott for tea and got the satisfaction of stamping all the paper cups and ranting to the lovely katherine.

first, the quotes of my amazing and talented co-writers for further pondering:

“we periodically take her on a magical mystery tour”

“it sounds like a shortcut to creativity”

and now, my poetry of the night-the faux sestinas, first from my free write, and then from everyone’s free writes. this time, i contributed “grimace” because “pork hock” was not accepted:

pork is a tough sell
it inspires grimaces, religious and secular
with stalkery byproducts-check your marshmallows
though flexibly delicious atop all of the starches
rice, potato, perogy, bread, noodles
an unintentional service announcement
merely a statement of facts as i have no hocks to hawk

so frustrated
trying to livestream
the octopus
hiding in water
inspires only grimaces
what is the formula?!

we started editing, and it was nice to look back on all of our writings, and i did find a piece to develop for the parkdale time capsule, but it’s more of a piecing together of many writings, rather than one to be edited.

(i forgot to find the emotional centre).

oops.

once again, i’m so great-full for the time and space and writings shared with this group.

parkdale-five

though heavily carb-motivated, i felt much better about my efficiency last evening.

i let off some steam with a rant about pronunciation choices, and learned a lot through the group share about things going on in the city and things going on in brains. here are some lovely things to think further on:

“vampirate”
second-hand pens
nominating monsters

our prompts came out of books that were based in parkdale (what a great idea) and the ink flowed freely.

this is from our last exercise of the night-the personification of the neighborhood, which is the perfect merging of writing characters and writing the city as a character. here it is, with some flash morning edits:

Pro-noun

They’re not subtle, that’s for sure. But they’re definitely a they: non-conforming to gender, class, race or mass. Perfect in their imperfections, hypocritical in their contradictions, they’re never fully gentrified-with a smile. They never fit in, and therefore fit in perfectly. Their personalities, schedules, alternative professions, ducks-cannot be fully explained but somehow make sense within the borders of the neighbourhood, like those giant stuffed tigers at The Ex. It’s all fun and games until you have to wrassle it onto a crowded express bus to Dundas West station. Are they done counting how many days it’s been since last sugar was tasted? When did they alter the Elm Grove bus stop to read “Elmo Grover”? Do people who are assigned to recruit there as Witnesses actually fear being invited into their homes? Their mounting beef with the police includes the oversight of the bylaw that states that you must clean up after your pet, as horses casually trot and drop mementos one tonne at a time on the residential street west of busy Dufferin. It’s a good thing they move slowly enough to receive the clear disapproval, straight through the eyes.

parkdale-4

i think we were all a bit tired last night.

we did exercises on character, switching gears from place, and i found it challenging for this reason:

“I think it’s easier for me to write about place than character in this neighbourhood because the hood is a character, and so full of real ones, that it’s hard to imagine one in.

Perhaps I should personify the tamarind balls that I forgot are for sale in that OG general store.”

and, so.

perhaps i was just too full of baked onion rings.

we’ll try again next week.

parkdale inspires-day two (the dog)

last night, our lovely little parkdale-loving writing group met for the second time, up a few members.

i didn’t come out of the session with as many gems, though my comment of “i didn’t get much further than ‘defiant ducks'” garnered the response “that’s going to be my next album title” from the person who also said, “i’ve got some nonsense”. so.

one of the new members introduced herself by stating: “my last poem was about a cat…who looks like he’s wearing a tuxedo!”, which is charming as all fuck.

anyway, here’s the takeaway (after a quick morning edit):

i walk down the steps of death into the day. on my way to the bus stop, my eyes automatically scan the abandoned and overgrown lot to focus on that guy who sometimes slips behind the fence to just sit there. we wave and say hi, never talking about the dog that’s always with him, even though it’s always a different dog.

no momos yet, tito ness-i can’t force it. but six more weeks for the planted seed to come to fruition….

dear parkdale…

i am so excited that i signed up for the writing workshop at my library that started last wednesday.

i am always up for quick, prompt-based writing with strangers, and i learned some new (to me) rules about haiku. i only knew 5-7-5, i didn’t know that they cannot be a simile or metaphor, and that they must involve nature. huh.

here are the somes that i wrote about the neighbourhood:

my sketchy solace
colour me falling in love
cold sanctuary

teeny bachelor
with high ceilings was perfect
no things after fleas

autumn leaves fall in
perfect light in the front room
worshipping sunday

quick circle of life
senior cat slayed baby mouse
and then her mother

and some non-sestina/sestinas:

seeking sanctuary in the city,
all i found was fleas
ignored red flags and sketchy landlords
cautious of falling again
missing the solace for the trees
that first year, my gratitude
was as frozen as the olive oil, -25degrees

there’s room for everyone
as far as our minds can reach
the streetcar arrives
and people cram into the first two feet
different languages, different destinations, different hygiene
but everyone gets to where they’re going, even the fleas.

i did throw the whole thing by contributing “fleas” as my word to the soup, but people really ran with it. shoutout to lindsay and the love lettering project, this was a lot of fun-see you next week!

top 4(:44)

here are my top 4 quotes from this album:

4) “your body language is remedial”

there are a lot of specific instances of petty shade on this album (“lazy eye, no biggie” “in the future other ni$$as playing football with your son”) but this general one is hilarious.

3) “i apologize, because at your best, you were love”

is he actually, finally acknowledging aaliyah, all these years after her death?

2) “daddy, what’s a will?” or “daddy, what’s a whale?”

i mean, i’ve listened to this numerous times, and i don’t know which babygirl is saying, but either is perfect. considering that it segues into a track about legacy, it could be her plotting for his early death. conversely, she could just be fucking five years old.

but khaled‘s kid is already an executive producer of an album so….

1) “everything is chaka

in light of the current challenge (nobody beats issa and regina-no one even comes close) i think it’s worth noting that this child raps better than a lot of folks with real records out.

also, it means that half of my favourite quotes come from the on the run superchild, and i’m fine with that.

overall-it’s a great album, best and most listenable in a long time (i didn’t think we were coming back from magna carta, tbh).

also, i got it from the library-on cd.

remember those?