get out-dir. jordan peele

“i didn’t want to say it, but i told you so.”

i can’t lie. when i went to check the game 3 score before leaving the house, i thought the internet was broken. first of all-how do you even score 41 in a quarter, let alone outscore your opponent (my team) 41-17? i’ve been riding with these guys for a minute, so i know we have to be extreme and extra and extremely extra, but bruv.

i was wondering if, in addition to playing the barney theme song, jason kidd was out there stirring tea (and spilling sodas-why was derozan slipping so much?!). shit, i can’t even merge the honey in my chaga without looking both ways.

i took a wrong turn this morning, into outrement, and it felt a bit like the opening scene, though i am thank-full that i was out in plain daylight, and at night, i have a rottweiler.

officially the highest grossing original screenplay, everyone’s got something to say about this movie, and people will continue to have things to say. hopefully, that will precipitate an actual conversation one day, and not just all this idle chatter.

it’s revolutionary just by being an american film about race that is set in the present, and not as another self-congratulatory “look how far we’ve come” pat on the back excuse to show black bodies brutalized in hd as a period piece. because it was made by a black director, and that director is jordan peele, it is a more nuanced look at racism than we’ve ever seen.

i am not a fan of the horror genre, i’ve never really been interested, but i do appreciate the homages to the tropes paid here. but the fact that the true horror is just lurking beneath the surface (and in gated communities) is the scariest of all. in fact, i would argue that the scariest person in the film is the young white woman, and the horror isn’t that she’s not aware of racism, the horror is that she’s complicit while masquerading as an ally.

the humour in the film comes from the conspiracy theory that these white folks are snatching black bodies to use as “sex slaves”, but the horror is when we discredit the grain of truth that lies in every conspiracy theory, and when we laugh off that feeling that “something isn’t quite right here”. even when the cops are all coloured, they’re still police. the institution is bigger than the faces. and the black people that are a bit “off” because their bodies have been snatched (and scientifically manipulated) by white people, and they are the proof that something’s up. perhaps that’s the silver lining-you can never fully hide your dirt, your deception will catch up to you.

and so there is the fear of white inferiority and the problems that exist in resource distribution that allow the imbalance of science, medicine, and legal impunity to just
“go and get” the bodies with the traits that you need for immortality. the issues of appropriation-“we want your skills but we don’t want you” as well as banking on the fact that all lives don’t matter, since nobody’s going to ask about the black ones that have been missing.

the point of technology as a weapon is an interesting one, as the phone is what keeps saving chris, and it’s what they tried to disarm while he was in the house. the recordings of recent police brutality and protests is a beginning to turning the tables on apathy and blowing the gates off our communities.

the lure of the white woman, which is driven home when he’s looking through the box of photos (of the “deer” that rosie has helped to eradicate), is one that is also laughed off, but the sociopath is real. this bitch is pure evil, as she’s able to show a human side from the beginning, and go through the motions of feeling the outrage that the cop that pulled them over was racist, or running away from the racist white people party and being the comfort to draw chris into a false sense of security, to transitioning fully into a dirty dancing watching single froot loop eating cog in the family racism wheel. and presumably, she got (and enjoyed) all that black dick (and possibly pussy) along the way. this was the white woman that people feared that hillary clinton may have been, and she may still be, but what’s the point in getting lost in coulda beens, when the reality is a whole next level of sinister?

it would seem that the raptors are emerging from the sunken place, as i’m halfway through watching game 5 (thanks mikey, for the league pass), and that the youngsters are starting to lose their grip on the ball.

also-what a difference norm powell makes in the game. it’s not a coincidence that when he’s starting, we win, and when he doesn’t play (which, WHY THE FUCK IS HE NOT PLAYING?!) we lose. i was starting to feel waves of deja vu to the past two years before this season when i was begging for james johnson to be traded so i could see him play somewhere (and now look at him in miami), but coach seems to have come to his senses, at least for the time being.

your lineups are still on scrutiny, though, dwayne.

get your exercise in.

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