i tapped! it was easy and great! i can now go into any exit at any subway! hooray! we also filmed another episode of miikshi! every day, someone mistook me for lindsay-even someone who has allegedly loved me for 12 years-way to make your case, buddy-you don’t even know what i look like! (took the time to copy and paste a picture back to me, not of me, and then say “i only see joy”, which, is an uber-fucked up thing to hear from a poc, kind of along the lines of “i don’t see colour”). but, that happened. also, justin gave me a dvd drive and i am catching up on all the television series that i have not seen in the past years because i have no bandwidth on netflix.
i also have to express gratitude for she the people and trixx, the back to back shows that reminded me that i have some stage time to put in….but bigups all the same.
also-19-4 and the podcasts don’t care-if we were any other team….but it’s all cool. it was quite a bookend to see the OT win against durant‘s 51 and the (champion) warriors when the last time i saw him hang 51 on us, he was playing with OKC and we lost in triple overtime on some salmons‘ bricked free throws. super teams over superstars, just sayin’.
1) adulterio-paulo coelho-this one was a bit of a slow go, since i am reading it in spanish. i got it out when i first got back from costa rica, and since the alchemist is the first book i ever read in spanish (and spanish only), i took a chance. i also got a coehlho book (frida) at polkaroo‘s book swap, and the jacket says it’s a story of a woman who is either going to be in a relationship or be a witch, so-no accidents. this is the first book that i have renewed to the end of its three terms in a long time, and i also just got it out in english as well, so as to make sure that i didn’t miss anything. maybe i should leave it though, i think i got the gist. i got lost on my way to a fermentation workshop and outside of the old mill hotel, a man really wanted to tell me what a great book it was. the cover also got me a lot of looks on the subway, and we had a great ride into the studio about books in translation/being multilingual. woot woot, duolingo.
2) insecure-season one not technically a book, but i am so amped about being able to catch up with the television series that i have not seen in the last few years. i took this out at the city hall library before my glam day at nordstrom (that resulted in me playing a piano concert for myself) in anticipation of having a dvd drive of my own! although i knew what happened thanks to the recap by crissle and fran, it was lovely to see it. what a gorgeous show, inside and out.
3) kimmy schmidt-season one i feel like fucking kimmy schmidt with this show-so behind on this excellence, but it’s perfect timing! wow, what a smart, timely, feminist show! i love it when white women get it right. can’t wait to watch season two.
4) walk on the wild side-dennis rodman i started this on a shooting day and regaled the car with stories from it, mainly about pearl jam, his relationship with eddie vedder and their shared love of mookie blaylock (who wore #10), and rodman’s own jersey number(s) as 91 is nine plus one, this pull quote:
“I’d love to take NBA commissioner David Stern as my prisoner, strip off all his clothes, rub lipstick and makeup all over him, dress up like Frank and sing to him….’I did it my way.’ It would probably be my last act as an NBA player, but it would be worth it.” (26)
yea, so that’s the thing-he wasn’t yet retired at the time of this book’s publishing. he also apologizes to madonna for some faxes that were intercepted and sold to hard copy which is very perplexing, because why the hell were these people sending faxes?! he brags about his dick size, claims that he doesn’t like to eat pussy, but one of his “commandments” is “thou shalt not douche before being eaten”. he claims that he wants to change his name to “orgasm”, and as far as i know, that has not happened. but then again, he did cry to oprah that he would apologize to scottie pippen for breaking his nose on national tv in front of everyone when they won a championship together, and i’ve given up waiting for that, too.
in conclusion-dennis rodman has as many tangents as fonts, and like all good narcissists, it’s impossible to know what he really things. hashtag, gaslight.
5) ali smith-public library (and other stories) i had to get this one while out on the library tour. here is why:
“For me, the public library is the ideal model of society, the best possible shared space, a community of consent-an anarcho-syndicalist collective where each person is pursuing their own aim (education, entertainment, affect, rest) with respect to others, through the best possible medium of the transmission of ideas, feelings and knowledge: the book.” (76)
6) falling for my side dude-racquel williams it is official-i have a problem. i’m addicted to these terribly written unrealistic tall tales, and i just have to go through it. i don’t think i’m going to continue this after i go through the ones that i took out in person, but who knows. i tried a different author, but there are definitely tropes. maybe i’m just jealous because i could at least write this badly. the fantastical world of negotiating class privilege, the sketchy morality issues of infidelity, the latent homophobia and saving face, and the advocacy of douching (nooooooo! don’t do this in 2018)-the only thing that’s clear is that there is no room for compassion and feelings-it’s all hostility from jump. but i got through this in a few hours, and had to chuckle at the turnaround from the jacket cover description:
“…No one is untouchable, and loyalty is nowhere to be found. Will Malaya walk away from her family and risk it all in the name of sexual gratification?”
and the first line of the acknowledgements:
“First and foremost, I give all praises to Allah. Without him, none of this would be possible. I am forever grateful and definitely blessed.”
it was nehal‘s birthday yesterday, and don’t think i didn’t consider for a moment that if i have to suffer through this, i’m dragging her down with me.
7) the unbreakable kimmy schmidt-season two so, i think i am kimmy and titus all rolled into one. i am still loving this show, and am now caught up so i can continue watching it with lindsay and assheat tomorrow. having this dvd player has even caused me to be late for the past two weeks on the new episode of star (clutches pearls). i love how everyone is living while learning to get through their abandonment issues.
8) she begat this-20 years of the miseducation of lauryn hill-joan morgan dream hampton didn’t like miseducation. she also made black august (the film). and she did like unplugged. huh. well. milfin’ (still) ain’t easy, but it’s (still) gotta be done. i was totally geeked that miz morgan liked and reposted my #booklook, though i got less reaction to that than when chingy followed me, so-come on, people. i love that lauryn has always been her own stylist, and her own artist, though people are way less willing to give her the “genius” label than some other rappers (mumble mumble). i never had a moment when i was mad at lauryn, but i never loved her completely either-i recognized her impact and her talent, and ex-factor will forever be my jam, especially the live version in japan, though i hope one day it will not hit so close. but the thing is-it’s the equal and opposite reaction of why people are so disappointed/surprised/crushed when she is late/doing jock jam arrangements/dressed like an insane person now because people were jumping up and down and shitting candy when she was 22 and “saving” hip hop/representing for all women. oh-and the patriarchy is the reason that people do not react in a similar way to r.kelly. (sigh). oh, the lack of equality in accountability expectations is because of a lack of equality, etc. etc. etc. basically:
“She was the one who broke through and she got a bit broken in the journey.” (58)
lauryn taught us that sometimes, we gotta be our own heroes. and we wear whatever the fuck we want.
and joan morgan proved why i disagree with walter mosely‘s most recent talk at the philly free library, when he claims that writers don’t have to be readers-writers should definitely read. it was the difference of taking over a week to read these silly clit lit dramas vs. devouring this book in one afternoon-though purposely putting it down so i could savour it, but then picking it up again. i got a legit chill from the introduction that lasted all the way through. thank you, womens.
9) power-season three first of all-why is ghost‘s spanish so awful? he’s a drug overlord and he’s in lifetime love with a puerto rican. but he’s loosely telling the jay-z story, right? and omari hardwick has always been method-adjacent. i think it’s also interesting that i can watch this show again, it used to be too hard because he makes the same puppy eye tortured soul faces as the dood i spent four years learning hard lessons with, so every time he would say “angie…” in that tragic way, i used to crumble. i did cry when they broke up this time, but i also fully support that “it’s the right decision”. finally, even though i had heard rumblings, i was completely surprised that i saw 50’s dick for so long, but it was kind of hot-it’s the first time i’ve seen full frontal that wasn’t just garbage-duchovny‘s limp and dead dick from asphyixiation in soderburgh‘s film, jude law‘s limp dick in the bath in ai, or kofi siriboe‘s in three grapefruits-ok, that was kind of the best one-heeeey, lil’50. i liked the “behind the scenes” that accompany each episode of this season, and am so happy that season 4 is already on its way to me, thank you, toronto public library. (also, on a related note-i’m excited for all of the sheet music that is coming my way as well, what a wealth of materials that are available to us, and i’m great-full every day to be able to search them).
10) startalks season two-hosted by neil degrasse tyson i found out the other day when i hosted lindsay that i live in miikshi‘s apartment-i had to flip the room from dining to entertainment when i could only play the music after i was no longer using the toaster oven to make ciabatta squares. i must miss her, because i am binge-watching this on an off-shooting week, or i legit have always been science-friendly. i have the utmost respect for this guy, and although it’s kind of awkward at times (like his rap battle with kyrie irving), it is totally worth the watch and the think-here are a few notes that i made: “the secret of magic is that we are willing to work harder than you think the trick is worth” (penn, or teller), “if we can reproduce it, it’s not art”-so, does that make it science? is the line so cut and dried?, “society is only as good as it treats its creative people”, and “there was a time without skepticism-it was the dark ages”. i’m heeeeeere for all of this.
11) survivor’s remorse-season two where does reggie end and rich begin? i love that i get to resume my two favourite starz series at the same time, and this season of survivor’s remorse was exactly what i needed after a completely frustrating day with the outside world. i literally felt the tension dissolve through laughing and feeling my way through these episodes, as i coloured some tiles in the glorious colouring book that is jade gedeon’s island escape. i love everything-the acting, the shots, the writing, the complicated relationship with public and private accountability. oh, and everyone is fackin’ fine.
12) emergency contact-mary h.k. choi once again, a book that i know of because of desus and mero. i didn’t know this was YA until i got it, but then again, i don’t really see the delineation of YA-books are books, who cares who the audience is for? i kind of feel like YA is the backup singer of the book genre, really-it’s gotta be really good in order to blend in enough to be good enough to be read by all people-it’s gotta be better than regular fiction, and i’m here for it. i started reading this on the epic journey to brampton for the baby shower that i went to last week, and finished it up yesterday after i got home from seeing trixx at absolute comedy. WHAT A HILARIOUS HUMAN BEING. anyway, here is my pull quote:
“Fiction was fine, but real life was the true freak show.” (121)
which is the perfect segue that i didn’t even know i was making-there’s a point in the story when one of the protagonists speaks of stealing a piece of art because she a) loves it so much and b) understands motivation to create something that inspires people in the way that it inspires her. i can identify with that because i used to rip pages out of library magazines as a youth, but only if the picture did not affect other people’s ability to read the articles (i know, sketchy morals, but that’s what youth is for). it also explains why i’ve never been into sci-fi or fantasy, because there is so much in this world that i haven’t needed to delve into make-believe that much yet. i also love the discussion of what constitutes a true apology-spoiler alert: it’s not one that goes “i’m sorry you feel that way”. (sigh). it’s settled. every “adult” should definitely have to read at least one YA a year. start with this one, fools.
13) queen sugar-season one i was crushed from the first note of me’shell‘s “faithful”, and then again when “pennies” came through-i was done. we all know ava duvernay is a genius, but can we just talk about how
much she slays, every damn day, in everything she does? i realized that it’s her angles and focus that sets her apart for me-she focuses in on the simplicity of emotion, and whether it’s the movement of an eyelash or the flicker of feeling in an eye-that’s a real one. i love that she shows how complicated relationships are, without injecting her judgement or morality-she does what a true director does best-she presents all sides of a story, and really brings forth a character’s motivations. but she also captures them in moments where their perspectives change, and that’s what so relatable and inspiring. also-she seems to find the most gorgeous actors and really hone in on their talent. i was about three episodes in until i figured out that i will never forget rutina wesley because of how she move, and it’s great to see how she has grown as an actor as well. (and also that she is fine as hell).
14) naughty-book three-brenda hampton (sigh). it took me forever and eight days to finish this, but i think i now understand hate-reading. i was captivated because i truly wanted the characters (and the writing) to somehow get better. it did not. nope. it also occurred to me that it was so uncomfortable because it reminded me of the values of my last situationship-none. or at least none that i understand. i am just so puzzled by the words and actions of all of the characters, and like when i can’t find any redeeming characteristics of a tv show-i even want to kick the children in the teeth. here’s a snippet of this bullshit:
“‘Trust me, I ain’t talking no shit. If I ever catch anyone tampering with my pussy, I’m killing his ass and your ass too.”
We laughed and decided never to go clubbing together again. For some reason, he couldn’t believe all the attention I got, and I never imagined it would be so crazy going out with him.” (205)
TAMPERING WITH MY PUSSY?! what the actual fuck?! all through this book-lying, cheating, will-full miscommunication, violence, threats-all of this is seemingly promoted. the one redeeming thing that i found was the dood used and switched condoms in a threesome. aaaaaahhhhh. i hope this association makes it clear that it’s the last time with that situationship, too.
15) so close to being the shit-retta i am late to the game on this one. i will say that i have been trying to watch parks and recreation for some time, but for all the materials that the library has, somehow this is not among them. but i enjoyed this little ditty very much-it’s snappy and well-written, which should come as no surprise because she’s a twitter susperstar.
16) riverdale-season one wow. this is how you do a remake. first of all-pick a different medium. second-make it hella angsty and simultaneously update the details so that they are contemporary and shoot it so it’s still frozen in time. also-robin givens is the mayor! dylan is archie’s dad and molly ringwald is his mom! (what a world). so emo, so flowers in the attic, creepily bad wigs, teacher fucking in the first episode, and an inside joke every time someone says “alice cooper”. i love it. i’ve been meaning to watch darchie (dark archie) for a minute now, thanks to the library once again coming through.
17) power-season four it’s hard out here to be melo. his best basketball happens during the offseason when he’s overheating in a hoody, no team wants him, and things must really be over with lala if she is getting fucked all over the place like this by tommy. the lustre is wearing off on this series (maybe i caught up too fast), or maybe all of the good actors have been killed off. i don’t know that i believe this “next generation” bizness, mainly because the kid is just such a spoiled dick, and that’s at least in part because he’s not as experienced as an actor. rip, lobos.
18) jane the virgin-season one it’s a telenovela within a telenovela and i’m here for it. it’s the perfect accompaniment to compete against my duolingo nemesis and to watch while i am working on my freelance gig. i don’t know why the library doesn’t have season two, but they have season three, and i can do worse than internet catch up on a season of a show. representation matters.
19) t-dot griots-eds. karen richardson & steven green the image of griots being buried in the trunk of trees, away from society, is an extremely striking one. i am so great-full for this anthology, but to be honest, that’s what has sent me googling and wondering-do they hollow out their own trees? when i found out that baobab trees are used, i am further confirmed in my blessings to have lived in the same home as yinka’s baobab magazine-and i know i will be thinking on this for years to come. of course, i am glad that this collection of toronto lyrical legacy exists, and i have similar feelings about alicia keys‘ first album (heeeey, karen richardson-your poems are my favourite by a new-to-me artist, though i sense that we must have crossed paths in some capacity in montreal). finally, of course kamau is my favourite, he’s been my favourite:
Imagine that you had nothing to gain from change
And even less to gain if the world stayed the same…
20) the year of finding memory-judy fong bates i am so great-full for the women’s connection offered through the parkdale community health centre. there are so many reasons that this feels right, from the very beginning, and at every step of this beginning thus far. i was intrigued to learn that unlike other programs, our counsellors are not obligated to call the police if we express suicidal thoughts-it is acknowledged that that is a common feeling (and that is proof of the problem that we have of a lack of mental health resources and denial about mental health being an issue) and are committed to work through it. so hearing that, on the day that i am supposed to return this book that is now overdue, does not feel like an accident to me. how do we keep our parents’ secrets? how do we embody our inheritance? how do we find the answers to questions that they may or may not have made sure not to ask?
“My mother rarely talked about her younger sister. I was not aware that she had sent money at regular intervals and had no idea that these remittances actually allowed this woman and her family to eat and live. But then again, memory can be incomplete, and it is possible that whatever news my mother shared with me about her sister and her family never made an impression. Another side of my mother was beginning to reveal itself, one that perhaps my youthful self had chosen to ignore. Or one that she had long since put away.” (136)
21) moonlight-dir. barry jenkins-wow. sometimes, the oscars get it right-even if they “jokingly” try to give the award to white people first (i’ma let you finish). i’m so floored by this. i waited a long time, because from what i heard about the mother, i understood the character to be like monique‘s in precious. i should give my imagination more credit at this point. this was a stunning film, and i didn’t even cry. (i was certain that i would). everything is perfect-the casting, the faces, the pacing, the lighting, the story, the lacunas. wow. just, wow.
22) broad city season one and two i started watching this last year with zahra but she didn’t like it because she thought they didn’t “win” enough. but i don’t know, they’re great friends, they grow together, hannibal burress is amazing and so is his character, and i am so delighted by any chance that i get to witness amy sedaris and/or janine garaofolo gets to work. (second season was hard to watch because the copy i got was quite damaged, but i mostly feel the same way).
23) heavy-kiese laymon i devoured this while listening to starting from scratch’s think b.i.g. (the final tribute) on the last day of the month, the same day that i watched moonlight and remembered the first time that i ever stamped the cups at the coffee shop and started to realize that i really needed to quit my job. i don’t remember now how i heard about kiese, but i do know that he has been so consistently great at writing and i’m glad he’s around to do the work.
“I didn’t understand hell, partially because I didn’t believe any place could be hotter than Mississippi in August.” (55)
“America seems filled with violent people who like causing people pain but hate when those people tell them that pain hurts.” (88)
i read his mother’s response letter a few days ago. i didn’t realize that it was such a direct response to this memoir that is written directly to her. (sigh). this is so brave. i think of the parallels of the memoir that i could write to the single parent who raised me (along with the differences too, of course), but i don’t know if i would be brave enough to do it while he was living, and know for sure that he could not be so eloquent in his response (if he even responded at all). i can also say that i had destructive teenage sex in his bed, and wonder how many of us out there did this because we couldn’t talk to our parents, rendering ourselves the cliche self-fulfilling prophecies of their nightmares.
“Consent meant little to nothing if it was not fully informed.” (208)
thank you. this is all i want men to understand. this is the work that we all have to choose to keep doing every day, the work that is not equally chosen, but yet equally expected-i resent that women are held to higher standards of compassion, adaptation, and emotional labour, and i refuse to do this work for men, or let them coast any further without any acknowledgement or knowledge of it. this means that i am choosing not to coddle them, and also not to be kind. but kiese is proof of the doods that i want to know, and so my choice is justified-i will just find the ones who have done the work, and not hang around the ones who have not/will not. to quote the dumpster fire that is common:
“if i don’t like it, i don’t like it-it doesn’t mean that i’m hatin'”
damn. i felt the change(s) throughout my body as i realized each layer of how literally heavy this story is-as i realized what i was reading, and how it informed how figuratively heavy this story is-daaaaaammmmn. also-i am now realizing the context from which the response that i read first is. wow. just, wow.
yesterday, i put a photo of this book, and judy fong bates‘ book on my lap with the caption, “on my couch with this #motherlode.” i had no fucking idea.